Read More About Flora’s Works
Flora’s deep connection to Zen philosophy is at the heart of her floral paintings. In Zen, it is believed that a human being should live like a flower – without hate, regret, overthinking, or blame. A flower blooms for the sake of blooming, not seeking admiration or waiting for someone to notice its beauty. It exists fully in the moment, thriving even in the depths of a quiet forest, where no one may ever pass by.
FLORAL PAINTINGS
This concept resonates deeply with Flora, and it’s why she is drawn to flowers as a central subject in her art. Her floral paintings capture this essence of pure existence, where beauty is not created for others but for the act of being. The flowers in her work are not seeking attention; they are simply expressing their fullest potential, whether seen or unseen.
Through this lens, Flora’s floral pieces are more than representations of nature – they are reflections of the human spirit. They remind us to live without waiting for approval or recognition, to be our fullest selves without the weight of external expectations. In each petal and brushstroke, there is a quiet celebration of life, unfolding effortlessly, without force or concern for the world’s gaze.
This is why Flora finds such depth in this subject. Her paintings, much like the flowers she captures, are an invitation to bloom freely, just as we are, without waiting for anyone to pass by.
NIRVANA SERIES
The Nirvana series marks a significant development in Flora’s artistic journey, much like her exploration of floral themes, but with a deeper focus on the human spirit and the concept of enlightenment. This series is a blend of realism and surrealism, where detailed portraits are intertwined with symbolic elements to convey the journey of the ego. In each piece, a candle melts into the flowing hair of the subject, creating a surreal visual that captures the dissolution of the ego.
The realism in the portraits portrays the vulnerability and authenticity of the human condition, grounding the viewer in the emotional depth of each subject. Meanwhile, the surrealistic melting candle symbolizes the ego, which begins as a small flame, gradually growing as life’s experiences, desires, and ambitions fuel it. As the flame burns more fiercely, it reflects the overwhelming presence of the ego in our lives. However, the candle inevitably melts away, symbolizing the eventual dissolution of the ego as one moves toward spiritual awakening.
This transformation from flame to wax represents both the physical and spiritual evolution that Flora seeks to depict. The merging of candle and hair reflects the gradual melting of the ego, a process that brings peace and self-realization. The surrealistic element allows Flora to explore this abstract concept visually, while the realism in the portraits keeps the experience personal and relatable, grounding the viewer in a shared human journey.
With Nirvana, Flora aims to express the profound transition from an ego-driven life filled with tension and desire to a state of inner peace and enlightenment. The series invites viewers to contemplate their own relationship with the ego, encouraging them to embrace the moment when the flame fades, leaving behind nothing but serenity. Just as her floral paintings celebrate the act of blooming without expectation or recognition, this series celebrates the peaceful release of the ego, where one finds freedom and clarity.
The combination of realism and surrealism in the Nirvana series makes it a significant thematic focus in Flora’s work, offering a meditative reflection on the nature of life, the ego, and the path to enlightenment. Through this series, Flora continues to explore the complexity of human experience with both emotional depth and symbolic beauty.
